Thursday, 22 November 2012

Tinker Tailor Soldier Spy


Tinker Tailor Soldier Spy: 
Tinker Tailor Soldier Spy is a 2011 Anglo-French espionage film directed by Tomas Alfredson. The screenplay was written by Bridget O'Connor and Peter Straughan based on the 1974 novel Tinker, Tailor, Soldier, Spy by John le Carré. The film stars Gary Oldman asGeorge Smiley, and co-stars Colin FirthTom HardyJohn HurtToby JonesMark StrongBenedict Cumberbatch and Ciarán Hinds. Set in London in the early 1970s, the story follows the hunt for a Soviet double agent at the top of the British secret service.
The film was produced through the British company Working Title Films and financed by France's StudioCanal. It premiered in competition at the 68th Venice International Film Festival. The film was a critical and commercial success and was the highest-grossing film at the British box office for three consecutive weeks. At the 84th Academy Awards, the film received three nominations: theAcademy Award for Best Adapted Screenplay, the Academy Award for Best Original Score and Oldman received a nomination for theAcademy Award for Best Actor.

Cast: 

Development: 
The project was initiated by Peter Morgan when he wrote a draft of the screenplay, which he offered to Working Title Films to produce. Morgan dropped out as the writer owing to personal reasons, but still served as an executive producer.[2] Following Morgan's departure, Working Title hired Peter Straughan and his wife, Bridget O'Connor, to redraft the script.Park Chan-wook considered directing the film but ultimately turned it down.[3] Tomas Alfredson was confirmed to direct on 9 July 2009. The production is his first English-language film.[4][5] The film was backed financially by France's StudioCanal and had a budget corresponding to $21 million.[6] The film is dedicated to O'Connor, who died of cancer during production.


Casting:

The director cast Gary Oldman in the role of George Smiley, and described the actor as having "a great face" and "the quiet intensity and intelligence that's needed". Many actors were connected to the other roles at various points, but only days before filming started, Oldman was still the only lead actor who officially had been contracted.[7] David Thewlis was in talks for a role early on.[8] Michael Fassbender was in talks at one point to star as Ricki Tarr, but the shooting schedule conflicted with his work on X-Men: First ClassTom Hardywas cast instead.[9] On 17 September 2010 it was confirmed that Mark Strong had joined the cast.[10] Jared Harris was cast but had to drop out because of scheduling conflicts withSherlock Holmes: A Game of Shadows. He was replaced by Toby Jones.[11] John le Carré appears in a cameo as a guest in a party scene.[12]

Filming:

The events which take place in Czechoslovakia in the novel were moved to Hungary, because of the country's 20% rebate for film productions. The teams filmed in Budapest for five days. Right before Christmas the team also filmed in Istanbul for nine days.[6] The production reunited Alfredson with cinematographer Hoyte van Hoytema and editor Dino Jonsäter, with whom he had made his previous film, Let the Right One In.[16]Principal photography took place between 7 October and 22 December 2010.[13] Studio scenes were shot at a former army barracks in Mill Hill, north London.[6] Blythe House in Kensington Olympia, West London, was used as the exterior for "The Circus."[14] The interior hall of Budapest's Párizsi Udvar served as the location for the café scene, in which Jim Prideaux is shot.[15] Empress Coach Works in Haggerston was used as the location for the Merlin safe house. Other scenes were filmed on Hampstead Heath and in Hampstead Ponds, where Smiley is shown swimming, and in the physics department of Imperial College London. The exterior shots of the Islay Hotel, a run-down hotel described in the film as being near Liverpool Street station, which Smiley uses as a base, were shot in Wilkin Street, London NW5.[citation needed]
Post-production:
The film took six months to edit. The final song in the film, a rendition by Julio Iglesias of the French song "La Mer" set against a visual montage of various characters and subplots being resolved as Smiley strides into Circus headquarters to assume command, was chosen because it was something the team thought George Smiley would listen to when he was alone; Alfredson described the song as "everything that the world of MI6 isn't". A scene where Smiley listens to the song was filmed, but eventually cut to avoid giving it too much significance.

Critical response:

Tinker Tailor Soldier Spy received generally positive reviews. The film holds an 83% 'Fresh' approval rating from 200 reviews collected byreview aggregator site Rotten Tomatoes, with the consensus, "Tinker Tailor Soldier Spy is a dense puzzle of anxiety, paranoia, and espionage that director Tomas Alfredson pieces together with utmost skill."[22] By comparison, Metacritic, which assigns a normalised rating in the 0–100 range based on reviews from top mainstream critics, calculated an average score of 85 based on 42 reviews, equating to "universal acclaim".[23]
Jonathan Romney of The Independent wrote, "The script is a brilliant feat of condensation and restructuring: writers Peter Straughan and the late Bridget O'Connor realise the novel is overtly about information and its flow, and reshape its daunting complexity to highlight that."[24] David Gritten of The Daily Telegraph declared the film "a triumph" and gave it a five star rating,[25] as did his colleague, Sukhdev Sandhu.[26] Stateside, Peter Travers of Rolling Stone wrote, "As Alfredson directs the expert script by Peter Straughan and Bridget O'Connor, the film emerges as a tale of loneliness and desperation among men who can never disclose their secret hearts, even to themselves. It's easily one of the year's best films."[27] M. Enois Duarte of High-Def Digest also praised the film as a "brilliant display of drama, mystery and suspense, one which regards its audience with intelligence".[28]
Detractors of the film included Peter Hitchens of The Mail on Sunday, who wrote that the plot would be too baffling for viewers who had not read the book, and that the film's makers had "needlessly messed it up".[29] David Edwards of the Daily Mirror wrote, "The big question – and one Le Carré himself asked when the film was announced – is whether such a hefty novel can fit comfortably into a feature-length production. In answering this, the writers have pared things back, meaning it's far pacier than the seven-part TV show. Unfortunately, the plot is every bit as bewildering with an overload of spy-speak, a few too many characters to keep track of and a final act that ends with a whimper, rather than a bang."[30] Writing in The Atlantic, le Carré admirer James Paker favourably contrasted Smiley with the James Bond franchise, but finds this Tinker, Tailor adaptation "problematic" compared to the 1979 BBC mini-series. He writes "To strip down or minimalize le Carré, however, is to sacrifice the almost Tolkienesque grain and depth of his created world: the decades-long backstory, the lingo, the arcana, the liturgical repetitions of names and functions."
Box office:
The film topped the British box-office chart for three consecutive weeks, and earned $80,630,608 worldwide.

Directed byTomas Alfredson
Produced byTim Bevan
Eric Fellner
Robyn Slovo
Screenplay byBridget O'Connor
Peter Straughan
Based onTinker, Tailor, Soldier, Spy by
John le Carré
StarringGary Oldman
Colin Firth
Benedict Cumberbatch
Tom Hardy
John Hurt
Toby Jones
Mark Strong
Music byAlberto Iglesias
CinematographyHoyte van Hoytema
Editing byDino Jonsäter
StudioStudioCanal
Working Title Films
Distributed byStudioCanal UK
(United Kingdom)
StudioCanal
(France)
Release date(s)

  • 16 September 2011(United Kingdom))
Running time127 minutes
CountryUnited Kingdom
France
LanguageEnglish
Budget$21 million
Box office$80,630,608[1]

Accolades

AwardDate of ceremonyCategoryRecipient(s) and nominee(s)Outcome
Academy Awards26 February 2012Best ActorGary OldmanNominated
Best Adapted ScreenplayBridget O'Connor, Peter StraughanNominated
Best Original ScoreAlberto IglesiasNominated
Amanda Award[34]17 August 2012Best Foreign FilmTomas AlfredsonNominated
American Society of Cinematographers[35]12 February 2012Best Cinematography in a Feature FilmHoyte van HoytemaNominated
Art Directors Guild[36]4 February 2012Period FilmMaria Djurkovic (Production Designer)Nominated
British Academy Film Awards12 February 2012Best FilmNominated
Outstanding British FilmWon
Best Actor in a Leading RoleGary OldmanNominated
Best DirectorTomas AlfredsonNominated
Best Adapted ScreenplayBridget O'Connor, Peter StraughanWon
Best Original MusicAlberto IglesiasNominated
Best CinematographyHoyte van HoytemaNominated
Best EditingDino JonsaterNominated
Best Production DesignMaria Djurkovic, Tatiana MacDonaldNominated
Best Costume DesignJacqueline DurranNominated
Best SoundNominated
Outstanding British Contribution to CinemaJohn HurtWon
British Film Bloggers Circle Awards21 February 2012Best FilmNominated
Best British FilmNominated
Best ActorGary OldmanNominated
Best DirectorTomas AlfredsonNominated
Best Adapted ScreenplayWon
British Independent Film Awards4 December 2011Best British Independent FilmTinker Tailor Soldier SpyNominated
Best Director of a British Independent FilmTomas AlfredsonNominated
Best Performance by an Actor in a British Independent FilmGary OldmanNominated
Best Technical AchievementMaria Djurkovic (Production Design)Won
Best Supporting ActressKathy BurkeNominated
Best Supporting ActorTom HardyNominated
Benedict CumberbatchNominated
British Film Institute4 December 2011Top Ten FilmsWon
Best FilmTenth place
Central Ohio Film Critics Association5 January 2012Best CastWon
Chlotrudis Awards18 March 2012Best CastNominated
Ciak d'oro6 June 2012Best Foreign FilmTomas AlfredsonRunner-up
Chicago Film Critics Association19 December 2011Best ActorGary OldmanNominated
Best Adapted ScreenplayBridget O'Connor, Peter StraughanNominated
Crime Thriller Awards18 September 2012Best FilmWon
Conch Awards19 September 2012Best Film SoundtrackStephen GriffithsWon
Best Film Mix FacilityGoldcrest Post ProductionNominated
Best Sound Design & Editorial TeamAndy Shelley and Stephen GriffithsNominated
Denver Film Critics Society11 January 2012Best CastNominated
Best Original ScoreAlberto IglesiasNominated
Dublin Film Critics Circle Awards23 December 2011Top Ten FilmsWon
Best FilmFourth place
Top Ten DirectorsTomas AlfredsonWon
Best DirectorTomas AlfredsonFourth place
Top Ten ActorsGary OldmanWon
Best ActorGary OldmanThird place
Empire Awards25 March 2012Best FilmNominated
Best British FilmWon
Best ActorGary OldmanWon
Best DirectorTomas AlfredsonNominated
Best ThrillerWon
European Film Awards1 December 2012Best ActorGary OldmanPending
Best Production DesignMaria DjurkovicPending
Best CinematographyHoyte van HoytemaPending
Best Original ScoreAlberto IglesiasPending
People's Choice Award – Best European FilmTomas AlfredsonPending
Evening Standard British Film Awards7 February 2012Best FilmNominated
Best ActorGary OldmanNominated
Best Technical AchievementMaria DjurkovicNominated
Alexander Walker Special AwardJohn HurtWon
Golden Trailer Awards31 May 2012Best Drama TrailerNominated
Best Thriller TrailerNominated
Best Independent PosterWon
Best Drama PosterNominated
Georgia Film Critics Association1 September 2012Best FilmNominated
Best DirectorTomas AlfredsonNominated
Best Actor in a Leading RoleGary OldmanNominated
Best Supporting ActorTom HardyNominated
Best Ensemble CastWon
Best Adapted ScreenplayBridget O'Connor, Peter StraughanNominated
Best CinematographyHoyte van HoytemaNominated
Best Production DesignMaria DjurkovicNominated
Gotham Independent Film Awards18 November 2011Gotham Tribute AwardGary OldmanWon
Hollywood Film Festival24 October 2011Best ComposerAlberto IglesiasWon
International Chinephile Society22 February 2012Best CastRunner-up
Best Adapted ScreenplayBridget O'Connor, Peter StraughanWon
Best Production DesignMaria DjurkovicRunner-up
Best Original ScoreAlberto IglesiasRunner-up
International Federation of Film Critics Award10 September 2012Grand Prix for the best filmTomas AlfredsonNineth place
Irish Film and Television Awards11 February 2012Best International FilmWon
Actor in a Lead Role in a Feature FilmCiarán HindsNominated
International ActorGary OldmanNominated
Italian Online Film Actors & Dubbers Award1 September 2012Best Foreign ActorGary OldmanWon
Best Foreign Supporting ActorTom HardyNominated
Best Foreign CastWon
Best Male DubberStefano De SandoWon
Public Choice Award for Best PerformanceGary OldmanWon
Italy Screenplay Prize13 July 2012Best FilmWon
Top Ten FilmsWon
Best Adapted Screenplay – InternationalBridget O'Connor, Peter StraughanWon
Special Award for Best DirectorTomas AlfredsonWon
Special Award for Best PerformanceGary OldmanWon
Las Vegas Film Critics Society13 December 2011Best ActorGary OldmanNominated
Best ScreenplayBridget O'Connor, Peter StraughanNominated
Best Art DirectionMaria DjurkovicNominated
Best CinematographyNominated
Best EditingDino JonsaterNominated
London Film Critics Circle Award19 January 2012Top Ten FilmWon
Best FilmFourth place
Best British FilmNominated
Best ActorGary OldmanNominated
Best British ActorGary OldmanNominated
Best ScreenplayBridget O'Connor, Peter StraughanNominated
Best Technical AchievementMaria DjurkovicWon
Los Angeles Film Critics Association11 December 2011Best Art DirectionMaria DjurkovicRunner-up
Metacritic Awards5 January 2012Best Reviewed DramaThird place
Best Reviewed ThrillerWon
Movie Farm Awards12 February 2012Best ActorGary OldmanWon
Music & Sound AwardsBest Original Composition in a FilmAlberto IglesiasWon
Online Film Critics Society Awards2 January 2012Best ActorGary OldmanNominated
Best Adapted ScreenplayWon
Best EditingDino JonsaterNominated
Online Film & Television Association5 February 2012Best ActorGary OldmanNominated
Best Adapted ScreenplayWon
Best Production DesignMaria DjurkovicNominated
Best CastWon
Best CastingJina JayWon
Palm Springs International Film Festival15 January 2012Best International StarGary OldmanWon
Phoenix Film Critics Society27 December 2011Best ActorGary OldmanNominated
Premio Cinema Ludus[37]19 November 2012Gran Prix for Best FilmTomas AlfredsonWon
Prix for Best ActorGary OldmanWon
Best European FilmWon
Best European DirectorTomas AlfredsonWon
Best European ActorGary OldmanWon
Best European ScreenplayBridget O'Connor, Peter StraughanWon
Best European Technical AchievementMaria DjurkovicWon
Best ProducerTim Bevan, Eric FellnerWon
Richard Attenborough Regional Film Awards2 February 2012Best British Film of the yearWon
Best Actor of the yearGary OldmanNominated
Best British Actor of the yearGary OldmanWon
Best ScreenplayBridget O'Connor, Peter StraughanWon
San Francisco Film Critics Circle25 March 2012Best ActorGary OldmanWon
Best Adapted ScreenplayBridget O'Connor, Peter StraughanWon
Satellite Award18 December 2011Best Film – Motion PictureNominated
Best DirectorTomas AlfredsonNominated
Best Actor – Motion PictureGary OldmanNominated
Spanish Film Music Critics Awards29 June 2012Best Spanish ComposerAlberto IglesiasWon
Stockholm Film Festival20 November 2011FIPRESCI AwardWon
Sydney Film Critics21 December 2011Top Twenty Unreleased FilmsWon
Best Unreleased FilmFourth place
Total Film Hotlist3 August 2012Hottest FilmNominated
Hottest ActorBenedict CumberbatchNominated
Hottest ActorTom HardyNominated
Venice Film Festival10 September 2011Golden LionNominated
Virgin Media Movie Awards1 March 2012Best FilmNominated
Washington D.C. Area Film Critics Association5 December 2011Best Adapted ScreenplayBridget O'Connor, Peter StraughanNominated
YouMovie Awards[38][39]30 June 2012Best FilmWon
Best Drama FilmWon
Best ThrillerWon
Best Actor in a Leading RoleGary OldmanWon
Best Supporting ActorBenedict CumberbatchNominated
Best Supporting ActorColin FirthNominated
Best CastWon
Best VillainColin FirthNominated
Best DirectorTomas AlfredsonWon
Best TrailerWon
Best CinematographyHoyte Van HoytemaNominated
Best Art DirectionMaria DjurkovicNominated
Best ScreenplayBridget O'Connor, Peter StraughanWon
Best Costume DesignJaqueline DurranNominated
World Soundtrack Academy20 October 2012Best Score of the YearAlberto IglesiasWon
Best Composer of the YearAlberto IglesiasWon
 Won 67 awards altogether. 





Tuesday, 6 November 2012

7 Areas Of Repersentation

the issues raised by media ownership in contemporary media practice; (how does who owns a media company influence the type of film made and its potential success? For example do BIG companies make BIG films and therefore make all the money? Is it possible for small companies to succeed?) The Companies the produced Kick Ass were 'Marv Film' and 'Plan B Entertainment', ' Plan B Entertainment' are an americain company who was founded by big actors - Brad Pitt, Brad Grey and Jennifer Aniston - and is owend by Brad Pitt but they have a release deal with 'Paramount pictures', 'Warner Bros.' and '20th Century Fox'. 'Plan B Entertainment' is a private companie not allowint the public to hold shares and also it only has a small amount of share holders.

the importance of cross media convergence and synergy in production, distribution and marketing; (how do companies work together to produce, distribute and publicize a film? How can Disney use their size to promote and publicise a film? How can small companies work together to promote their business' when making and promoting a film?)
They can do this by coming together to make a product or advert that involves the two companies, for instance- Harry Potter joined up with lego to make Lego Harry Potter to promote their film and gain money from that product too.

the technologies that have been introduced in recent years at the levels of production, distribution, marketing and exchange; (how has the introduction of digital film, 3D, DVD, Blue Ray, internet streaming, downloadable content, home cinema influenced the types of films made, the way we watch them and the way we 'buy' them?)
Technologie has a big influence when making films because you can now show them in 3D, Blue-Ray and Download them off of the internet. If the producers decide to also show the film in 3D they will be able to charge you more for seeing it in 3D than in 2D because it costs more to make but they know people will pay that little bit extra to watch it in 3D so it is good for marketing. Now films come on blue-ray (HD) too which allows the company to also charge more for people to buy the dvd because it is better quality than a normal dvd player. this is also good because people like to see things in HD. Now for Films can also be downloaded and rented from the internet i creates a large and easier way of buying and renting films from home instead of making a journey to the shops and also more people are downloading content these days so it makes it easier for people and it is a good way of being able for you to rent the move and not having the problem of forgetting to take it back after the time period has expired.

the significance of proliferation in hardware and content for institutions and audiences; (how and why have film companies had to alter the way they work now everyone has web enabled phones, PC's, consoles etc? How have audiences changed their viewing habits now we no longer need to go to the cinema to watch a film) 
They have had to change they way they work because they want as many people to watch the film and see the posters and information about the film as possible so they would have to make websites for the film and internet adverts in order from a wide range of people to see the trailers and information about the film. Audiences have changed the way thy view films because they wont go to the cinema to see it unless they really want to and have time because they can just wait for it to be downloadable and then whatch it at home with friends or family.

the importance of technological convergence for institutions and audiences; (can you think of examples of how different technologies have come together to help the film industry?)  
One of the big technological Convergence's games because mostly everyone from the age 7+ is playing some type of video game and if the company that has produced and made the film makes a game out of it more people are going to buy the game and want to see the film. Games are one of the best ways of selling your film to younger people if they are your target age range.

the issues raised in the targeting of national and local audiences (specifically, British) by international or global institutions; (how do film companies try and attract their audience? Do they do different things in different countries?) 
Some companies will have teamed up with an american company to help fund the film which means that their would be advertising in america as well as the other country and this means it has a wider range of advertisement and is more likely to be seen and spoke about. Mostly americans will think of creative ways to advertise films like an easter egg hunt but for the film with different clues and information that reveals things about the film and gets the audience excited. 

the ways in which the candidates’ own experiences of media consumption illustrate wider patterns and trends of audience behaviour. (what is your opinion on the above? Do you see the developments as a good or bad thing?)
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Monday, 5 November 2012

Media Convergents


Q: How is media convergence important for audience and institution? 

Media convergence is important to audience and institution because they need to advertise the company and film that they have made to the public so it encourages them to come see the film so that they can make a high gross (Profit) from the film. They do this by making Posters, Tv Adverts, Radio Adverts, Word Of Mouth, Internet Adverts, Previous Films, Websites, Trailers and Teaser Trailers ect. They use these methods because they are the most common methods of advertising and they are also low cost or very effective with the public when trying to advertise a film.

When advertising a film it is important that you get people talking about it and knowing about it or you would make a low gross and not be able to pay everyone who helped produce and make the film. Thankfully technology today allows us to use media in a way where its hard not to know about an upcoming film or event because the wide range of methods used to get people to see or look at what the film is about. 

As you can see the film industry relies on the media a lot and they will use all the methods they can and make new methods of advertising to make sure that their film gets noticed by lots of people, if the methods of advertisement are successful then they already know that people are going to come see the film and have sold it to them before they have watched it just because they have seen posters and trailers for the film, this is also good for the company because they have also created word of mouth between friends and family who will advertise it to them and bring them along to see it and they will tell their friends and so on... . Here are a few films and how they used media to advertise their films -

Kick Ass: Universal Pictures (UK) and Lionsgate Films (US) used simple but creative media to advertise their film to the public because the film is based on the comic book series and they would have a large audience who would want to see the film and compare it to the comic book series, this was good for them because they knew that they would make some money for the film. In their advertising they made individual posters spelling out Kick Ass, which was a type of interactive media where people would have to try and collect all the posters and spell out Kick Ass. They also used trailers and Teaser Trailers to advertise their film to the public, the film used a Uk as well as a US company that helped advertise world wide and helped with publicity. I don't think that they advertised the film as well as they could have because they gained a low gross, but i think that might of been because they only had a budget of $28 million. ( they made $96, 188, 903 from the film and most of this was from DVD and Blue-Ray sales.) 

Attack The Block: StudioCanal, UK Film Council, Big Talk Pictures, Film4 Productions used some technology with advertising their film because they made a website that you can go on and interact with, you could do this by reading about the individual characters and watching the trailers to the film as well as looking at the posters. They also used posters to advertise their film, they made 3 different posters altogether with some or all of the characters on the poster with a little description about what the film was about. They also used Trailers to advertise their film and aimed the adverts toward teenagers and adults because its meant to be a scary film and its also has bad language and lots of blood/gore, and its aimed at teenagers because the film was rated as a 15. They had a premier for the film that also helped to advertise the film.

Quantum Of Solace: Metro-Goldwyn-Mayer and Columbia Pictures Had a budget of $200 million so their adverting campaign was big for Quantum Of Solace but it didn't have to have lots of different media coverage like websites, Apps Ect. Because they have already established a loyal audience from the previous films, they only needed to get people talking about the film and they had posters and trailers. They suspected that they would gain a large audience because of the previous films and because of word of mouth. also it is aged 15+ and they are targeting a large audience where it will get spoken about regularly.

Synergy Marketing: Synergy marketing is where two companies team up together to make a product that will sell but also advertise too. for example The producers of Quantum Of Solace Teamed up with PS3 and Xbox to make a game that appealed to teenagers and adults to make them want to see the film and play the game, also it helps gain more word of mouth and more people will buy the game and be tempted to watch the movie too.

Thursday, 1 November 2012

Prometheus Research

     
A team of explorers discover a clue to the origins of mankind on Earth, leading them on a journey to the darkest corners of the universe. There, they must fight a terrifying battle to save the future of the human race.

Prometheus is a 2012 science fiction film directed by Ridley Scott, and written by Jon Spaihts and Damon Lindelof. The film stars Noomi RapaceMichael FassbenderGuy PearceIdris ElbaLogan Marshall-Green, and Charlize Theron. The story is set in the late 21st century and centers on the crew of the spaceship Prometheus as they follow a star map discovered among the remnants of several ancient Earth cultures. The crew, seeking the origins of humanity, arrive on a distant world and discover an advanced civilization and a threat that could cause the extinction of the human race.

Development of the film began in the early 2000s as a fifth installment in the Alien franchise. Scott and director James Cameron developed ideas for a film that would serve as a prequel to Scott's 1979 science fiction horror film Alien. By 2003, the development of Alien vs. Predator took precedence, and the project remained dormant until 2009 when Scott again showed interest. Spaihts wrote a script for a prequel to the events of the Alien films, but Scott opted for a different direction to avoid repeating cues from those films. In late 2010, Lindelof joined the project to rewrite Spaihts's script, and he and Scott developed a story that precedes the story of Alien but is not directly connected to that franchise. According to Scott, although the film shares "strands of Alien's DNA, so to speak", and takes place in the same universe, Prometheus explores its own mythology and ideas.

Prometheus entered production in April 2010, with extensive design phases during which the technology and creatures which the film required were developed. Principal photography began in March 2011, with an estimated US$120–130 million budget. The project was shot using 3D cameras throughout, almost entirely on practical sets, and on location in England, Iceland, Spain, and Scotland. It was promoted with a marketing campaign that included viral activities on the web. Three videos featuring the film's leading actors in character, which expanded on elements of the fictional universe, were released and met with a generally positive reception and awards. Prometheus was released on June 1, 2012 in the United Kingdom and on June 8, 2012 in North America. Prometheus grossed over $400 million worldwide. Reviews praised both the film's visual aesthetic design, and the acting, most notably Fassbender's performance as the android David. However, the plot drew a mixed response from critics, who criticized plot elements that remained unresolved or were predictable.


"Weyland Industries employs over 800 million citizens. As such, our products and electronics are the most advanced, most efficient and most highly intelligent on the market.
Our bio-sensors can detect trace amounts of toxic contaminants, making workplaces safer. Our FTT devices and holographic controls make scientific research easier. And our micron-sized platinum-doped laser position sensors make everything from terraforming equipment to weapons-tech smaller, lighter and faster. Our innovations are working harder in every home and every industry sector to make your world better. 
Developed by Weyland’s world-class materials scientists and electrical engineers on Gliese 581, all innovations undergo rigorous testing at the New Products Testbed facilities at Henri Gaston. We use only the most advanced rare materials extracted from mines across the galaxy, and our nobel-prize winning physicists and materials engineers hold the leading number of patents in the fields of lasers, nanotechnology and microfabrication. Many products using this technology will soon be making history as part of the highly-anticipated Prometheus mission."
This extract is from the website and shows that they made the website fit in with the movie like wayland industries was a real company and was actually going on an expedition to find their "makers" or "Engineers ". This makes the film more interactive and fun for the audience. 


Sunday, 14 October 2012

Attack The Block Review

Who Directed Attack The Block: Joe Cornish
Genres: Comedy, Action, thriller, Adventure, Horror, Sci-Fi
Stars: Jodi Whittaker, John Boyega, Alex Esmail
Age Rating:15
Release Date: 13 May 2011
Budget: £9 Million

My Review: My opinion on 'Attack the block' is that it is a well produced film that appeals to people who like Sci-Fi, Horror and Action films. I like Sci-Fi and Action films but i was disappointed when watching this film because it wasn't as great as everyone was making it sound and look, i think this was to do with its low budget of £9 Million and that they didn't have enough to make it as good as they wanted because they couldn't have all the effects in the film that they wanted and the monsters in the film were people in costumes most of the time because they couldn't afford to have them animated. 

The film also used young actors who probably were still learning about what happens on a movie set and also this wouldn't appeal to people because they wouldn't know who they are and wouldn't want to go see the film because they didn't know if they were good actors or not. they had one well know actor,  Nick Frost, who people know and he has also been in successful films. I think if they used another well know actor then the film would be maybe a bit better then it is and more appealing to people.

In the film i found that the beginning was slow and not too interesting to start with but as you got further in to the film it got more interesting and revealed a lot more about the monsters/aliens and the characters who lived in the 'Block' and it was more interesting to watch. The film can also fit into the comedy category and it had some funny parts that i found very funny that also made the film more fun to watch but they were more towards the end. i think if they had more comedy and explanation of the charter at the beginning then the film would be more fun to watch and more interesting.   

The plot of 'Attack The Block' isn't a very well thought through plot and also i found it to be a bit messy because they didn't explain why the monsters/aliens where attacking people or why they had come to earth. The plot was also messy and mixed around because it didn't explain the characters and what they were doing and why they were so keen to fight the monsters/aliens and it also didn't tell you anything about them apart from they were involved in gangs and drugs. 

Altogether i think that 'Attack The Block' is a good film for the budget they had of £9 Million and if they had a bigger budget of about £12-15 million they could of produced a better film and made it more appealing to audiences and gained more money from the film, also i think that they could of had a better and neater plot that explained more and had more comedy at the beginning through to the end. 

Promoting The Film: To promote 'Attack The Block' they put posters in bus stops, billboards, magazines, newspapers Ect. to get people interested in the film and gain an audience. The premiere of the film was also a promoting method for the film.

How It Was Produced: The film was produced by "Big Talk Productions' who are know for making- Hot Fuzz, Shawn Of The Dead, Scott Pilgrim Vs. The World. They produced the film with 'The Uk Film Council', Film 4 and Studio Canal. 
The film was shot in London with 6 weeks worth of shots at night because most of the film is based at night. Interior scenes were filmed at 'Three Mill Studios' in east London.

What The Film Was Based On: The film was based on many things that Joe Cornish had experienced in his life like - He was once robbed outside his home, he based the monsters on his cat and cats, the type of area he lived in and the people who lived there.

Soundtrack: The soundtrack of the film was an original score composed by Simon Ratcliffe and Felix Buxton from the electronic dance group 'Basement Jaxx'.

Monday, 1 October 2012

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